While Come and see is by no means an experimental film as it has a clear narrative focus, there is one scene in particular that I would like to emulate within my film. In the climax of Come and see there is a montage of Adolf Hitler’s life played in reverse intercut with a violent outburst from our main character who only halts his outburst when we see a picture of Hitler as a baby. I think a similar montage may work within my own film as seeing pictures throughout my life may show my existentialist message that experiences and outlook rather than appearances are the true makings of a person.